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Morton Wayne Thiebaud TEE -boh ; November 15, — December 25, was an American painter known for his colorful works depicting commonplace objects—pies, lipsticks, paint cans, ice cream cones, pastries, and hot dogs—as well as for his landscapes and figure paintings.

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Thiebaud is associated with the pop art movement because of his interest in objects of mass culture , although his early works, executed during the fifties and sixties, slightly predate the works of the classic pop artists. Thiebaud used heavy pigment and exaggerated colors to depict his subjects, and the well-defined shadows characteristic of advertisements are almost always included in his work.

Thiebaud and his family were members of The Church of Jesus Christ of Latter-day Saints , and his father was a bishop in the church when Thiebaud was a teenager. Morton was also a Ford mechanic, foreman at Gold Medal Creamery, traffic safety supervisor, and real estate agent. From to , he worked as a cartoonist and designer in California and New York City.

Thiebaud subsequently began teaching at Sacramento City College. In , he became assistant professor at the University of California, Davis , where he remained through and influenced numerous art students.

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He held a Professor Emeritus title there up until his death in late Thiebaud did not have much of a following among Conceptual artists because of his adherence to basically traditional disciplines, emphasis on hard work as a supplement to creativity, and love of realism. Occasionally, he gave pro bono lectures at U. On a leave of absence during —57, he spent time in New York City , where he became friends with Elaine and Willem de Kooning and Franz Kline , and was much influenced by these abstractionists as well as by proto-pop artists Robert Rauschenberg and Jasper Johns.

During this time, he began a series of very small paintings based on images of food displayed in windows, and he focused on their basic shapes. Returning to California, he pursued this subject matter and style, isolating triangles, circles, squares, etc. He also co-founded the Artists Cooperative Gallery, now Artists Contemporary Gallery, and other cooperatives including Pond Farm, having been exposed to the concept of cooperatives in New York.

These shows received little notice, but two years later, a Sidney Janis Gallery exhibition in New York officially launched Pop Art , bringing Thiebaud national recognition, although he disclaimed being anything other than a painter of illusionistic form. In , Thiebaud met and became friends with art dealer Allan Stone — , the man who gave him his first "break.