Baciccio biography of martin

His work was influenced by Gian Lorenzo Bernini. Gaulli was born in Genoa , where his parents died from the plague of He initially apprenticed with Luciano Borzone. Gaulli's earliest influences would have come from an eclectic mix of these foreign painters and other local artists including Valerio Castello , Giovanni Benedetto Castiglione , and Bernardo Strozzi , whose warm palette Gaulli adopted.

In the s, he experimented with the cooler palette and linear style of Bolognese classicism. He was first noticed by the Genoese merchant of artworks, Pellegrino Peri, who was living in Rome. Peri introduced him to Gianlorenzo Bernini , who promoted him.

Baciccio (b.

The next year, he received his first public commission for an altarpiece, in the church of San Rocco , Rome. He received many private commissions for mythological and religious works. From , however, after a visit to Parma, Correggio 's frescoed dome-ceiling in the cathedral of Parma , Gaulli's painting took on a more painterly less linear aspect, and the composition, organized di sotto in su "from below looking up" , would influence his later masterpiece.

At his height, Gaulli was one of Rome's most esteemed portrait painters.

Giovanni Battista Gaulli, also known as Baciccio or Baciccia (Genoese nicknames for Giovanni Battista), was an Italian artist working in the High Baroque and early Rococo periods.

Gaulli is not well known for any other medium but paint, though many drawings in many media have survived. All are studies for paintings. Gaulli died in Rome, shortly after 26 March , probably 2 April. In the first half of the 17th century, two counter-reformation "mother" churches Sant'Andrea of the Theatines and the Chiesa Nuova of the Oratorians had been extensively decorated.

This was not true for the two large Jesuit churches in Rome, which, while rich in marble and stone, remained artistically barren by the midth century.